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Canadian mezzo-soprano Kady Evanyshyn is championing the crossroads of classical opera and contemporary vocal music. She has been hailed by the New York Classical Review for her “lovely, dramatic voice”, and by Musical America for her “delectable” musical interpretations. Kady joined the Hamburg Staatsoper’s International Opera Studio at the start of the 2019/20 season, where she debuted as Glascha (Kát’a Kabanová). She has performed internationally at Carnegie Hall, Wigmore Hall, Holland Park, L’Opéra Royal de Versailles, Lincoln Center’s Alice Tully Hall, Peter Jay Sharp Theater, and NASA’s Goddard Space Flight Center, among others. Kady earned her Bachelor’s and Master’s of Music from The Juilliard School, where she was granted the John Erskine prize for exceptional scholastic and artistic achievement.


Kady’s past seasons include a combination of music old and new, from Purcell and beyond. Past roles include: Zweite Dame (Die Zauberflöte), Sändmannchen (Hänsel und Gretel), Kate Pinkerton (Madama Butterfly), Second Woman (Dido and Aeneas), Claire (Cold Mountain - West coast premiere), Frau Reich (Die Lustigen Weiber von Windsor), and Annio (La clemenza di Tito). She is an alumnus of the Aspen Music Festival, Music Academy of the West, and Houston Grand Opera’s Young Artist Vocal Academy.


As an avid lover of contemporary art song, Kady most recently workshopped and performed Stefan Schäfer’s “Es war einmal” in October 2019 at the Hamburg Staatsoper. Other recent highlights include: Bach’s Ich habe genug, BWV 82 (Miller Theatre), Gervasoni’s Drei Grabschriften (world premiere), Berio’s Folk Songs (Alice Tully Hall), Druckman’s Animus II (Juilliard ChamberFest), and Edgar David Grana’s Tashi Tibet (National Opera Center). In previous seasons Kady has worked with ensembles such as the Kronos Quartet, Baroklyn, and the ÆON Music Ensemble. 


Kady is a passionate educator, having worked with many private students over the years. She has hosted master classes in London, New York, South Carolina, and her hometown of Winnipeg, Manitoba. She looks forward to helping the next generation of young classical artists find their unique voice. 

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